explora on in Riviera Maya, Mexico," THE ORACLE
con nues. "The song came to me with the beat, a
progression of dreamy, enduring and playful love be-
tween two souls. Galen Tipton provides the produc-
on, which is a sa sfying blend of drum, bass and
twinkly pop beats."
The song relates to THE ORACLE personally because
they are a self-iden fied hopeless roman c who
works to paint the reverie of love through all of their
rela onships. "I am deeply spiritual, a dreamer, but
also woefully mid. It can be hard to relate my deep-
est wishes to someone I care about when there is so
much fear involved. My heart wrote the song from
this state of mind."
THE ORACLE was born in Jerusalem, Israel as Julia
Sinelnikova and un l five-years-old, lived in St. Pe-
tersburg, Russia. Now living in Brooklyn, NY, THE
ORACLE remains an ar st, working predominantly
in sculpture, ligh ng design and performance, but
also currently expanding their expressiveness into
recording and DJ produc on.Their music has become
a soundscape for THE ORACLE'S video art and light
art ideas to come together through performance.
"I want my music to encourage psychedelic explo-
ra on, excessive dreaming, and the imagina on of
new, utopian and dystopian worlds," THE ORACLE
sums up. "Through listening to my songs, I aim to
reveal my personas and the details of the worlds in
my mind to my audiences."
THE ORACLE is nearly ready to reveal their ORA-
CLE666 album, the follow-up to Lost Amulet. A music
video shot at THE ORACLE's NYC studio and at The In-
visible House in the Joshua Tree Desert is forthcom-
ing, from that album.
Follow THE ORACLE on Instagram.com @ or_acle.
Diversity Rules Magazine | Sept 2022 | 5
"We aimed to cap-
ture the crystal
desert, a beau ful
place of dreams,
in the visual..."
