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TV Media Weekly | July 27 - August 2, 2019 By Breanna Henry TV Media U pon beginning research for the article you are currently reading, the first thing I did was ask my mother if she had ever watched "The Good Wife" or "The Good Fight." She replied to my text message instantly and wrote simply: "Love them both." Perhaps a mom's glow - ing three-word review isn't typi- cally the thing to set someone on a 10-season-long law-drama television binge, but this is a show that is almost impossible to talk about without mention - ing strong, intelligent and em- powered women, and my mom fits that bill to a T, so why not take her word for it? "The Good Fight" is actually a CBS All Access series, and it wrapped up its third season on the streamer in mid-May. But this summer, CBS itself has gra - ciously started airing Season 1 in a prime-time Sunday slot, which allows new viewers (and fans who just miss the series) to watch it from the beginning. The ninth episode, titled "Self Con - demned," airs Sunday, July 28, on the eye network, and I, for one, and my mother, for two, strongly suggest tuning in to catch Christine Baranski ("Mamma Mia!," 2008) as law- yer Diane Lockhart, Cush Jumbo ("Vera") as Reddick Boseman & Kolstad law firm associate Lucca Quinn, and Rose Leslie ("Game of Thrones") as Maia, who re- cently passed her bar exam and got herself and her godmother, Diane, mixed up in a whole heap of trouble. In the very first episode ("In- auguration"), the liberal politics of "The Good Fight" are laid bare, as Diane decides to retire in the wake of Donald Trump's election and prepares to move south for some well-earned rest and relaxation. Unfortunately, a wrench is thrown into Diane's plan in the form of an elaborate Ponzi scheme, and voilà — we have everything we need for one of television's greatest spinoffs. A couple of arrests, a few affairs and plenty of bad tweets later, we find ourselves one episode away from the Season 1 finale, and Diane is prepared to lay it all on the line for the FBI and uncover some distressing re- pressed memories. The current political and so- cial climate can often push me- dia towards an extreme attempt at sitting on the fence, which can make a series feel bland or fake instead of having the de- sired effect of making it seem sensitive or unbiased. "The Good Fight" doesn't have that problem. While both sides of so- cioeconomic and political de- bates are often shown, the se- ries doesn't shy away from hav- ing an opinion. The bias towards social liberalism and democratic political leanings may alienate some viewers, but the show's honest and unapologetic nature is exactly what grasps many fans in the first place, including those who felt "The Good Wife" tended to be a bit weaker in that department — its social com- mentary was often overshad- owed by romantic storylines. "The Good Fight" isn't all talk, either. Not only is "The Good Fight" the first television show ever to be based in an Af- rican-American-owned law firm, more than 50 per cent of its technical crew members and set staff are women or people of color (or both). In an interview with Collider, Jumbo said that "the [showrunners'] starting point is always just to have the best actors that they can have. I want to be in the best show on television, and I want to do the best work that I can ... none of us wants any of that to do with the way we look or who we are, but it also should be comment- ed on and should be talked about because we're one of the only shows doing it." Showrunners Michelle and Robert King, who also created "The Good Wife," were allowed much more creative freedom with their new series on CBS All Access, and the show has a shorter, 10-episode season, which is why "The Good Fight" is able to hit harder and pull fewer punches than "The Good Wife" could; don't be surprised to see much darker subjects ex- plored, or to hear a little bit of foul language. The only film trope more con- sistent than the bad sequel is probably the terrible spinoff, but "The Good Fight" came out swinging and continues to beat both of those assumptions into the dust. The show's predeces- sor, "The Good Wife," which ended after seven seasons in 2016, was consistently well re- viewed, despite many fans feel- ing the show had already run its course by the end of the fifth. Apparently, what the Kings needed was a bit of a fresh start, because while it makes use of characters and storylines from the prequel, "The Good Fight" stands strong on its own. Since many people are already caught up with the show on CBS All Access, you're going to want to be quick on your feet in order to dodge spoilers; the best way to avoid them is to make sure you catch the most recent episodes as they come out, so tune in to CBS on Sun- day nights. The best part is, you still have two whole seasons to watch after the season finale airs, and trust me (and my mom), you won't want to miss what happens next. A new episode of "The Good Fight" airs Sunday, July 28, on CBS. Christine Baranski as seen in "The Good Fight" The 'Good' spinoff: CBS pulls no punches in 'The Good Fight' 2 | Cover story A/Grindstone Charlie's B/Norris Insurance 1 x 4" Moore's Home Health 5 x 2" Expires 7/31/19

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